How I Became the Most Hated Man in America (Prelude to the Most Hated Man in America)

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Just when I wanted to share the link to this podcast, we descended into the madness of that guy and his deep fakes. What was the point of putting these together? Deep Fakes are fascinating and concerning, but that interview I could have done without. Funny to talk about the alt-right creating fake media to attack people that they do not agree with politically right after using that chopped up Peterson footage.

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Hey TOE crew! Over the last couple years I have found in the IDW an intellectual home, or at least the closest approximation in public discourse to such. It was thoroughly enjoyable to hear my favorite podcast begin to discuss some of my favorite ideas, especially considering the critical stance TOE seems to be taking with respect to the IDW. If your critique responds to real positions rather than cartoonish caricatures I, for one, would greatly benefit.

It puts up a wall that helps them from having to openly support these viewpoints.

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Of course everyone is tired of defending people like Jordan Peterson. These view are indefensible to anyone with social skills or common sense. Good thing there are TOE episodes like this to spread the these opinions without any counterpoint beyond exasperation. Great job! God it was infuriating listening to this woman.

Gather the facts you need to have an opinion! Her ideas on what Gamergate is about, and what its focus is, are alone cringeworthy. Generally attributed to Nietzsche, this is a quotation from Curtis Cate's Friedrich Nietzsche: A Biography and is the author's interpretation of Nietzsche's Aphorism Beyond Good and Evil Meaning and morality of one's life come from within oneself. Healthy, strong individuals seek self-expansion by experimenting and by living dangerously.

Life consists of an infinite number of possibilities, and the healthy person explores as many of them as possible. Religions that teach pity, self-contempt, humility, self-restraint and guilt are incorrect. The good life is ever-changing, challenging, devoid of regret, intense, creative, and risky.

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Attributed to Nietzsche on quotes sites and on social media, the original quotation is from An Introduction to the History of Psychology by B. Hergenhahn , page and is the author's summary of Nietzsche's ideas: "The meaning and morality of one's life come from within oneself. Healthy, strong individuals seek self-expansion by experimenting, by living dangerously. Life consists of an almost infinite number of possibilities, and the healthy person the superman explores as many of them as possible.

Religions or philosophies that teach pity, humility, submissiveness, self-contempt, self-restraint, guilt, or a sense of community are simply incorrect. Wikipedia has an article about: Friedrich Nietzsche. Wikisource has original works written by or about: Friedrich Nietzsche. Wikimedia Commons has media related to: Friedrich Wilhelm Nietzsche. Categories : People cleanup Articles with dead external links Articles to be merged Pages including material from Bartlett's to be reviewed births deaths 19th-century philosophers Aphorists Composers from Germany Criticism of Christianity Existentialists German atheists German journalists Music critics Nihilists Novelists from Germany Philologists Philosophers from Germany Philosophical idealists Philosophical pessimists Poets from Germany Social critics.

Men and women perceive the beauty well enough … probably as well as he. The passionate tenacity of hunters, woodmen, early risers, cultivators of gardens and orchards and fields, the love of healthy women for the manly form, seafaring persons, drivers of horses, the passion for light and the open air, all is an old varied sign of the unfailing perception of beauty and of a residence of the poetic in outdoor people.

They can never be assisted by poets to perceive … some may but they never can. The poetic quality is not marshalled in rhyme or uniformity or abstract addresses to things nor in melancholy complaints or good precepts, but is the life of these and much else and is in the soul. The profit of rhyme is that it drops seeds of a sweeter and more luxuriant rhyme, and of uniformity that it conveys itself into its own roots in the ground out of sight.

The rhyme and uniformity of perfect poems show the free growth of metrical laws and bud from them as unerringly and loosely as lilacs and roses on a bush, and take shapes as compact as the shapes of chestnuts and oranges and melons and pears, and shed the perfume impalpable to form. The fluency and ornaments of the finest poems or music or orations or recitations are not independent but dependent. All beauty comes from beautiful blood and a beautiful brain. If the greatnesses are in conjunction in a man or woman it is enough … the fact will prevail through the universe … but the gaggery and gilt of a million years will not prevail.

Who troubles himself about his ornaments or fluency is lost. This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul; and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body….

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The poet shall not spend his time in unneeded work. He shall know that the ground is always ready ploughed and manured … others may not know it but he shall.

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He shall go directly to the creation. His trust shall master the trust of everything he touches … and shall master all attachment. The known universe has one complete lover and that is the greatest poet. He consumes an eternal passion and is indifferent which chance happens and which possible contingency of fortune or misfortune and persuades daily and hourly his delicious pay. What baulks or breaks others is fuel for his burning progress to contact and amorous joy.

Other proportions of the reception of pleasure dwindle to nothing to his proportions. All expected from heaven or from the highest he is rapport with in the sight of the daybreak or a scene of the winter woods or the presence of children playing or with his arm round the neck of a man or woman. His love above all love has leisure and expanse … he leaves room ahead of himself. He is no irresolute or suspicious lover … he is sure … he scorns intervals. His experience and the showers and thrills are not for nothing.

Nothing can jar him … suffering and darkness cannot—death and fear cannot.

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The sea is not surer of the shore or the shore of the sea than he is of the fruition of his love and of all perfection and beauty. The fruition of beauty is no chance of hit or miss … it is inevitable as life … it is as exact and plumb as gravitation. From the eyesight proceeds another eyesight and from the hearing proceeds another hearing and from the voice proceeds another voice eternally curious of the harmony of things with man. These understand the law of perfection in masses and floods … that its finish is to each for itself and onward from itself … that it is profuse and impartial … that there is not a minute of the light or dark nor an acre of the earth and sea without it—nor any direction of the sky nor any trade or employment nor any turn of events.

This is the reason that about the proper expression of beauty there is precision and balance … one part does not need to be thrust above another. The best singer is not the one who has the most lithe and powerful organ … the pleasure of poems is not in them that take the hand-somest measure and similes and sound. Without effort and without exposing in the least how it is done the greatest poet brings the spirit of any or all events and passions and scenes and persons some more and some less to bear on your individual character as you hear or read.

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What is the purpose must surely be there and the clue of it must be there … and the faintest indication is the indication of the best and then becomes the clearest indication. Past and present and future are not disjoined but joined. The greatest poet forms the consistence of what is to be from what has been and is. He drags the dead out of their coffins and stands them again on their feet … he says to the past, Rise and walk before me that I may realize you.

He learns the lesson … he places himself where the future becomes present. The greatest poet does not only dazzle his rays over character and scenes and passions … he finally ascends and finishes all … he exhibits the pinnacles that no man can tell what they are for or what is beyond … he glows a moment on the extremest verge. He is most wonderful in his last half-hidden smile or frown … by that flash of the moment of parting the one that sees it shall be encouraged or terrified afterward for many years. The greatest poet does not moralize or make applications of morals … he knows the soul. The soul has that measureless pride which consists in never acknowledging any lessons but its own. But it has sympathy as measureless as its pride and the one balances the other and neither can stretch too far while it stretches in company with the other.

The inmost secrets of art sleep with the twain. The greatest poet has lain close betwixt both and they are vital in his style and thoughts.

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The art of art, the glory of expression and the sunshine of the light of letters is simplicity. Nothing is better than simplicity … nothing can make up for excess or for the lack of definiteness. But to speak in literature with the perfect rectitude and insouciance of the movements of animals and the unimpeachableness of the sentiment of trees in the woods and grass by the roadside is the flawless triumph of art.

If you have looked on him who has achieved it you have looked on one of the masters of the artists of all nations and times. You shall not contemplate the flight of the gray gull over the bay or the mettlesome action of the blood horse or the tall leaning of sunflowers on their stalk or the appearance of the sun journeying through heaven or the appearance of the moon afterward with any more satisfaction than you shall contemplate him.